MADE
IN BANGKOK:
Testing
the Boundary of Inclusiveness of Public Spaces
Dr.
Khaisri Paksukcharern
The conventional definition
of public space is conceived by local authorities in Bangkok as Œan outdoor
room within a neighborhood¹. This
metaphor might sound innocent but, of course, no metaphor is, especially when
it appears in policymaking documents that have wide implications. The spatial configuration of the phrase
Œoutdoor room¹ clearly embodies notions of exclusivity, confinement, and
segregation of the public space; the phrase connotes a movement from Œout¹ to
Œdoor¹ to Œroom¹. Associating open
public space with a room, i.e. with enclosure, negates the essence of public
space as unbounded space.
Moreover, the use of the metaphors Œdoor¹ and room¹ or Œhouse¹ when
addressing the public space, domesticates the open space, with all the gender,
political and social exclusions that the mechanism of domestication entails.
Exclusiveness and
confinement were expressed implicitly in the classification of a specific set
of uses that the public space was supposed to be created for: ³from outdoor
eating to street entertainment; from sport and play areas to a venue for civic
or political function; and most importantly of all as a place for walking or
sitting-out². This prescribed set
of activities viewed and at the same time constructed Œthe public¹ as a
homogeneous entity, with the same need and desires, denying class, ethnic,
sexual and age differences that exist in any society. Ignoring these differences and stipulating leisure as the
only appropriate activity for the public space, the authorities overlooked
Œother¹ activities such as - survival strategies, identity performances,
unofficial economic transactions and protest. In listing a specific set of functions that supposedly
reflects the needs of Œthe public¹, the authorities presumed to know who the
public were and claimed to represent it in its entirety. Moreover, it assumed that the public
was stable, fixed and unchanging and that the public and its space were
harmonious entities.
To critically act against
the segregation of public spaces and against the clamp down on street
communities such as sex workers, homeless people, beggars, buskers, street
vendors and cruisers is a normal practice in many big cities including Bangkok. These groups, among others - can be
termed Œurban nomads¹ - have the right to act in the public space. Moreover, it argues in support of their
contribution to urban life.
Bangkok¹s local authorities¹ misunderstanding of public space has
influenced or served conservative mind in their drive to socially cleanse
public spaces of Œundesirable elements¹.
Urban social cleansing
in the name of community and tourism
A bold example is an
ongoing 4,000 Million Baht Rattanakosin Regeneration Project. Only a small amount of people have
heard of it, despite being such a major urban regeneration in fact the
largest - in central Bangkok.
Consisted of a facelift plus a redevelopment of Rajadamnern Avenue which
locates within the Grand Palace vicinity - and its bounded properties, with a
main conceptual design to transform it into a Paris¹ Champs-Elysees shopping
street, China¹s Lijiang canalside pocket parks for tourists, many existing local
communities and their own public spaces are to be Œdesigned-out¹. The project has been ongoing with
little public awareness and has already been approved by its development
committee. In trying to gentrify
inner city area, to attract tourists, to reduce crime rate in central Bangkok
or the ŒRattanakosin area¹ or to beautify some spots, the committee has adopted
a zero tolerance approach. This
would led to a segregation of many public spaces, excessive controls and social
cleansing of some existing street communities from public spaces.
Some other examples of
segregation in Bangkok that is worth mentioning are:
the cleaning up of inner
Bangkok of homeless people and sex workers who have traditionally used the
area; the prospective plan for fencing the royal ground or Sanam Luang; the
closure at night of Pom Prakarn including other parks to shut out the homeless;
the new landscaping and closing up of Lumpini Park¹s boundary to prevent sex
cruisers from meeting or engaging in sexual activities
In Bangkok, residential or
neighborhood communities often exclude the urban nomads who usually do not have
political power. Politicians and
the civil servants such as architects and planners relinguish the democratic
qualities of the public space, since they consider it to be an integral part of
the neighborhood, and not as a space that is exterior to the rigid social
formation of a neighborhood.
Shopping malls, a new
kind of public spaces
Bangkok has had a
reputation for privileging wheels over feet. The main streets in Bangkok present one of the worst pedestrian
environments in urban history.
Only the poor walk anywhere and to do so they must negotiate tiny strips
of sidewalk which are often blocked.
Shopping mall whose portals one could experience an inversion of urban
spatial experience is a consequence of this urban condition. The difficulties and tensions of public
space are eased as one enters a protected realm of consumption and
spectacle. The enclosed retail environment
of the private shopping mall is the most popular and successful new building type
of the second half of the twentieth century not only in Bangkok but also in
many other big cities on the globe.
It is in many ways the quintessential building type of the age,
embodying new and evolving forms of subjectivity, representation and spatial
practice.
Shopping malls gain their
economic life through the capacity to redirect existing pedestrian flows off
the city streets. A related source
for the mall was the department store.
The department store removed the obligation on the consumer to be
shopping for something in particular.
Instead, it surrounded the consumer with a world of possible goods they
could and would buy.
The mall constitutes a safe
and predictable realm within a world rendered dangerous by both crimes and
cars. The mall is a clean and
highly designed place in contrast to a sometimes derelict context. It defines a signifier of class such as
terazzo paving, brass and glass and there are no sign of poverty. The mall created a purified
environment, not only physically and climatically, but also socially. The mall offers at least the illusion
of a vital public life and harmonious community. These meanings are congruent with those of public spaces
defined by the authorities. The
mall establishes its meaning in opposition to the perceived dereliction,
danger, placelessness and alienation of the public realm. The more of the public spaces of
Bangkok decline in quality and safety, the greater the relative advantage of
the private mall.
Shopping in a mall is no
longer a functional task, it moves to front stage and becomes a form of
lifestyle, as if one enters a theatre.
There is an element of hyper-reality, a suspension of disbelief strongly
influences by the theme park. It
is a heterotopic environment where a far flung of exotic places come together
in a collage of simulations under control.
However, the control over
spatial structure and representation is coupled with strong controls over
behavior, enforced by surveillance cameras and security staffs. A shopping mall is highly purified and
controlling place where anything different to the norm of the happy consumer is
subtly excluded. The mall
constructs an ideal community with no poverty, division or eccentricities.
These are Foucauldian
regimes of Œnormalization¹ whereby potential disruptions to the designed effect
are recognized and evicted.
Variations from the neatly dressed and normally behaved consumer are
suspect. Shabby clothes, sitting
on the floor or even for long in one place can all lead to exclusion. As everyday practice, however, these
forms of control are generally invisible; the Œrules¹ are embodied in the
habitus of the mall. The subtle
exclusion of difference melts into the exclusion of overt politics such as
leafleting, picketing, demonstrating and lobbying. Limited forms of managed politicking are permitted in malls
where they function as forms of legitimation, reassurances that this is a
genuine public space while sources of disruptive conflict remain repressed.
Shopping mall is then considered as a
pseudo-public space. As in a true public
space, everyone - including the urban nomads - should be recognized as
community members. It is not
recognized as a place that accommodates more than just leisure activities for
middle class and not considered to be a democratic space as the malls are
seen as a too homogeneous and harmonious.
A new insertion
However, there are
increasing practices of resistance.
One finds individual reversals, destabilizations, and intervention in a
continuous play for the freedom elsewhere in Bangkok. There is a new kind of squat, or a Œmodern squat¹. They are almost legitimated in a way in
which they are a consequence of the processes of de-industrialization, global
capitalization, suburbanization and changes in transportation methods and
highway construction in the past 50 years. Roads and trainlines run over buildings, cars can drive up
ramps to the rooftop of six storey building, the huge volume of a golf practice
net billows over a tiny residential district. These architecture and urban spaces recently happen in a
rather small scale here and there as opposed to those huge shopping malls.
The urban modernization has
created areas of dereliction and abandonment and voids in many cities including
Bangkok. An increasing number of
planners and architects, through their abundant imagination, are generating
these spaces situationistically.
These spaces might have been claimed by squatters, in a conventional
term. In many Asian and South
American cities, wasteland areas have been inhibited and transformed creatively
into a kind of fragmented Situationistic Spaces. They have created an alternative model for living and have
transformed various structures into multiple-use buildings which combine places
for working, living and entertainment of any other functions that have never
been co-existed before. They have
created ŒTemporary Autonomous Zones¹ for social, political and artistic
experiences.
These buildings are ones
giving a priority to stubborn honesty in response to their surroundings and
programmatic requirements of any people in the location without insisting on
architectural aesthetic and form that is usually justified by architectural
magazines or university textbooks.
The original study of this
kind was in fact done in Tokyo by a small group of young Japanese architects
and designers. They titled their
study as ŒMADE IN TOKYO¹ of which Bangkok can be made as a parallel study
because of several similarities between the two cities. The Japanese decided to call this kind
of Œmodern squat¹ the ŒDa-me architecture¹ mean Œno-good architecture¹.
Most are anonymous
buildings, not beautiful, and not accepted in architectural culture to
date. In fact, they are the sort
of building which has been regarded as exactly what architecture should not
become. But in terms of observing
the reality of Tokyo and Bangkok through building form, they seem to be better
than anything designed by architects.
Although these buildings are not explained by the city of Tokyo and Bangkok,
they do explain what Tokyo and Bangkok really are.
These examples are evident
of new urban spaces struggling to resist the conventional organization of those
legitimated public spaces in the authorities¹ sense. The hypothesis is that in any city, the situation and value
system of that city should be directly reflect to unique buildings created by
classes of people in certain situations and locations. In case of Bangkok and Tokyo, the
Œmodern squat¹ and Œda-me architecture¹ contains hint to think about the city
and architecture in a contemporary sense.
These buildings are neither
beautiful nor perfect examples of architectural planning. They are not A-grade cultural building
types such as libraries and museums.
They are B-grade building types such as car parking, hybrid containers,
and include both architecture and civil engineering works. They are not Œpieces¹ designed by
famous architects. What is important
is to be constructed in a practical manner by the possible elements of that
place. They do not respond to
cultural context and history. Their highly economically efficient answers are
guided by minimum effort. Not
imbued by the scent of cultures; they are simply physical buildings.
Conclusion:
In summary, the true
definition of public spaces in Bangkok has been undermined and distorted by the
authorities as well as architects and planners - as not all urban classes are
truly inclusive in public spaces.
The new creation of public spaces in a form of shopping mall still
repeats the same value as they are in fact a habitus of pseudo-community. Their boundary of inclusiveness is
rigid and non-permeable for the urban nomads or those without political
representation.
A form of resistance called
the modern squats or as the Japanese called Œda-me architecture¹ represent more
than architectural methodology and more than just a different way of living,
socio-political resistance or way of urban regeneration. The squat itself is vivid architectural
thinking. The question of
architecture is in fact that of the place, of the taking place in space. The establishing of a place which did
not exist until then and is in keeping with what will take place there one day,
that is a place; the squat is a place which takes place in what the
architecture was and in what it could be; it is architecture constantly on the
verge of extinction, always in the process of being created and
regenerated. It is the promise of
the place and the test of the inclusiveness of cities.